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Robert Florey (14 September 1900 - 16 May 1979) was a French-American director, screenwriter, film journalist and occasional actor. Born in Paris, and at first a film journalist, Florey moved to the United States in 1921. As a director Florey's most productive decades were the 1930s and 1940s, working on relatively low-budget fillers for Paramount and Warner Brothers. His reputation is balanced between his avant-garde expressionist style, most evident in his early career, and his work as a fast, reliable studio-system director called on to finished troubled projects, such as 1939's ''Hotel Imperial''. He directed more than 50 movies. His most popular film is likely the first Marx Brothers feature ''The Cocoanuts'' of 1929, and his 1932 foray into Universal-style horror, ''Murders in the Rue Morgue'' is regarded by horror fans as highly reflective of German expressionism. In 2006, as his 1937 film ''Daughter of Shanghai'' was selected for preservation in the United States National Film Registry by the Library of Congress, Florey was called "widely acclaimed as the best director working in major studio B-films".〔(【引用サイトリンク】title=Films Added to National Film Registry for 2006 - News Releases (Library of Congress) )〕 == Life and work == Florey grew up in Paris near the studio of George Melies, and as a young man served as assistant to Louis Feuillade.〔Lovers of cinema: the first American film avant-garde, 1919-1945, by Jan-Christopher Horak, page 95〕 In the 1920s he worked as a journalist, in Hollywood as assistant director to Josef von Sternberg, and shooting newsreel footage in New York, before making his feature directing debut in 1926. In the late 1920s he produced two experimental (and very inexpensive) short films: ''The Life and Death of 9413--a Hollywood Extra'' (1928) co-directed with Slavko Vorkapich, and ''Skyscraper Symphony'' the following year. Florey made a significant but uncredited contribution to the script of the 1931 version of ''Frankenstein''. Florey was to be given the job of directing ''Frankenstein'', and filmed a screen test with Bela Lugosi playing the monster, but Universal Pictures assigned him and Lugosi to ''Murders in the Rue Morgue'' instead. Florey, with the help of cinematographer Karl Freund and elaborate sets representing 19th century Paris, made ''Murders'' into an American version of German expressionist films such as ''Cabinet of Dr. Caligari'' (1920). By the mid-1930s Florey settled into the studio system and produced vehicles for Warren William, Guy Kibbee, and Akim Tamiroff (briefly promoted as a lead actor). For some film historians, Florey's finest work is in these modest low-budget programmers and B movies. Florey hit a peak at Paramount in the late 1930s with ''Hollywood Boulevard'' (1936), ''King of Gamblers'' (1937), and ''Dangerous to Know'' (1938), all marked by fast pace, cynical tone, Dutch angles, and dramatic lighting. He was also associate director to Charlie Chaplin on Chaplin's film ''Monsieur Verdoux'' (1947). In 1953 Florey was one of the first seasoned feature directors to turn to television, and he did not turn back. He worked in the new medium for over a decade and produced shows for ''The Outer Limits'', ''Alfred Hitchcock Presents'', and ''The Twilight Zone''. He also wrote a number of books, including ''Pola Negri'' (1927) and ''Charlie Chaplin'' (1927), ''Hollywood d'hier et d'aujord'hui'' (1948), ''La Lanterne magique'' (1966), and ''Hollywood annee zero'' (1972). In 1950, Florey was made a knight in the French Légion d'honneur. His 1937 thriller, ''Daughter of Shanghai'' (1937), starring Anna May Wong, was added to the National Film Registry in 2006. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Robert Florey」の詳細全文を読む スポンサード リンク
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